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La belle epoque era. La Belle époque moderne. La belle epoque audiomachine. La belle epoque costumes. La belle epoque tulip bulbs. La belle époque paris. La belle epoque history. La belle epoque tulips. La belle epoque 2019. La belle époque (film. La belle époque tulips. La belle époque bande annonce. 28/05/2019 - CANNES 2019: We sat down with Nicolas Bedos to discuss his second feature, La Belle Époque, a film which mostly talks about our times, screened out of competition in Cannes Screened out of competition at the Cannes Film Festival, La Belle Époque [ + see also: film review trailer interview: Nicolas Bedos film profile] is Nicolas Bedos ’ second feature as director (after Mr & Mrs Adelman [ + see also: trailer film profile]), though this time he does not step in front of the camera. We sat down with the playwright, screenwriter, actor, and comedian to discuss this film, which he also wrote, and which stars Daniel Auteuil, Fanny Ardant, Guillaume Canet, Denis Podalydès as well as a panoply of actors playing actors, including Doria Tillier and Pierre Arditi. Cineuropa: In our highly virtualised world, the call for a return to the corporeality of things, to the need of living in a more physical way, seems to be getting louder and louder. It’s what the time travel agency set up by Guillaume Canet’s character is offering. Nicolas Bedos: Yes, I’ve noticed, no doubt instinctively, this kind of return to physical immersion, which is conducive to the success of certain festivals and theatre productions. As if an excess of one thing was calling for its opposite. Indeed the film, rather than go for the Spielberg treatment which would be closer to Black Mirror, returns to the past via theatre: if you set aside the earpieces and headset, the set-up seen in the film could well have been made fifty years ago, because it’s just words, documentation, costumes, and a few sets. I like the idea that, as a solution to his despair, Daniel isn’t given an electronic chip or a pill, but instead receives what I do everyday at work: a crew that works hard and with very little to come up with things that will make him dream. Theatre stage direction is indeed at the heart of the film, with the sense of vertigo and jubilation that it carries, but also with the play with desire it implies — Antoine in fact recalls Cyrano. There are interlocking games at work, most notably between the two couples that interlock into each other: the young borrow from the old, if I may say; and on the other side, Daniel Auteuil’s character will gift himself a bath in the fountain of youth and self-esteem with this young actress, who is also his memory of his wife. There is this interlocking that could evoke some of Marivaux’s plays, or even the Italian theatre of the 17th century, or indeed Cyrano. I was very interested in this kind of bittersweet flirtation. Where do you place yourself in relation to the character played by Daniel Auteuil, whose point of view is also the film’s? I think that this character has a bit of my own ambivalence in my relation with progress: I’m an enthusiastic — even opportunistic — user of technology, Instagram, social media, Twitter… All of that is part of my daily life, but at the same time, there is a part of me that is an “old fart” who feeds on books, is furious about the gradual disparition of the printed press, appalled to see newstands vanish, worried that the young generation are eating up TV shows like they’re candy without knowing at all who directs and who writes. So my tantrums and my pleasures follow each other close. That is why the film does not judge, but instead observes all of this, through the story of a man who is both my father — who is totally terrified by all this and has ultimately decided that this world wasn’t his — and myself, because there’s still hope. The film combines a light tone with a deep topic. It is in turns moving and wildly entertaining, sometimes both simultaneously. If it doesn’t appear as a clear cut comedy or drama, that’s because of the way I am and the way the people I love are. In my family, we are extremely sentimental people, but we’re also very sarcastic, out of some kind of modesty, which is why we always oscillate between teasing and kissing. This tone — in which there is humour, cynicism — is a kind of lifeline for the script, for me: it prevents the film from falling into sentimentality or melodrama. It’s also a way of telling the viewer that I don’t want to force them to be moved. If they are moved, if they want to cry, it’s only because the situation in the film deserves it. If I had to find some references, I could of course cite a ton of filmmakers I love who work in that register, but it wouldn’t be very interesting because, for me, cinema is life, so there is no prior theory. (Translated from French).

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La belle époque wavre. La belle epoque izle. La belle époque 2019. La belle epoque subtitles. In French, the name Bedos carries a certain reputation. The son of beloved local comedian Guy Bedos, Nicolas always knew he wanted to make movies, but just because he had a famous father didn’t mean the path was necessarily easy. Despite collaborating with dad early on, and writing several original plays in his mid-20s, it wasn’t until Bedos achieved his own celebrity that he found the opportunity to direct. “The French first came to know me as a satirist, ” says the now-40-year-old Bedos, who made his reputation as an ultra-sarcastic (and occasionally controversial) cultural commentator on a popular weekly talk show. “I think it was truly a gift from heaven that I wasn’t able to make movies that early. ” At 20, his taste wasn’t fully formed, but influenced more by what others looked up to — the French New Wave, snobbish auteur cinema — which, with a bit of life experience, he outgrew, gravitating instead to popcorn movies and Hollywood films by directors such as Sydney Pollack, Paul Thomas Anderson and the Coen brothers. “I try to make the kind of movies that I want to watch, ” he says. Bedos’ first two features as writer-director — the rowdy, decades-spanning romance “Mr. & Mrs. Adelman” and high-concept, Charlie Kaufman-esque “La Belle Époque” — synthesize an incredibly polished American filmmaking style (in terms of lighting, camerawork and technique), a slightly more English sense of plotting and unmistakably French dialogue. Bedos appeared in the former, alongside partner and muse Doria Tillier, though he’d prefer to focus on working behind the camera. Whereas his natural tendency is to be dark and somber (compelled to address subjects like sexual passion, depression, suicide, addiction, and so on), Bedos’ time on TV and radio pushed him to embrace humor in his writing. By extension, his onscreen persona made him a fitting choice to direct the next “OSS 117” movie, a 007-esque spy parody starring Jean Dujardin as a cocky, outdatedly chauvinistic secret agent. “He’s the only character in France who’s still politically incorrect, ” says Bedos, who’s having fun with the assignment, but sees it as a parenthesis between more personal projects, including the upcoming “Mascarade. ” “Cinema moves too slowly! I wish they’d invent a machine that would allow you to make a film in three weeks. ” Agency: Grégory Weill, Adéquat Want to read more articles like this one? Subscribe Today.

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La belle époque review. La belle epoque film. La belle epoque ap euro. La belle epoque english subtitles. La belle epoque black is black. La belle epoque kent. La belle epoque last song. David Glasser ’s 101 Studios has acquired U. S. rights to Nicolas Bedos’s French romantic comedy “ La Belle Epoque ” which world premiered out of competition at Cannes Film Festival to strong reviews and went on to play at Toronto. The film stars Daniel Auteuil as Victor, a disillusioned sexagenarian cartoonist who has lost his job and is on the outs with his wife Marianne. A friend of his son who runs a thriving VR company offers him the intriguing opportunity to travel back in time and revisit his glory days. Victor choses to go back to May 16, 1974, the day he met Marianne at a café, and soon finds himself drawn to Margo, the actress playing the younger incarnation of his spouse. Auteuil stars in the film opposite Guillaume Canet, Dora Tillier, Fanny Ardant, and Pierre Arditi. “We were struck by Nicolas’ touching yet sharp-minded take on a romantic comedy and the impeccable performance given by Daniel Auteuil, who continues to be a tenacious force in French cinema, ” said Glasser. “La Belle Epoque” is slated for a U. theatrical release in the Spring. La Belle Epoque was released by Pathe Films in France on Nov. 6, 2019 and has so far grossed approximately $8 million. The film is also having a solid run in European countries such as Italy where it has made over $1. 7 million so far. “We are thrilled that ‘La Belle Epoque’ will soon be released in the U. and found a great home with 101 Studios who has the capacity of optimizing its release and exhibition in the USA thanks to their background with other French high concept films in the past, ” said Ardavan Safaee, president of Pathe Films. The deal was negotiated by 101 Studios’s head of acquisitions James Allen, Glasser, James Gold and Lief Cervantes of Sheppard Mullen, and Marie-Laurie Montironi on behalf of Pathé. Want to read more articles like this one? Subscribe Today.

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Most cinematic depictions of small-town life are frozen in time or genre. They're holdovers of the Western, or take away the wrong lessons from the Coen brothers' provincial skewerings, or are just flatly unwilling to admit the internet exists. In the new film Phoenix, Oregon, though—and presumably in the real town near the state's southern border just a few miles from Medford—the people are realistically modern and mundane. They live in Phoenix because they've both made choices and deferred them. They compulsively refresh Facebook, give their boss the side-eye and attempt to take up jogging. What's more, this light drama from writer-director Gary Lundgren contains a few hallmarks of Southern Oregon in the present day. Venture capitalist money from the marijuana boom is poised to stimulate or erode the town's character, and local entrepreneurs sometimes aspire to a level of homegrown craft that exceeds the actual demand for it. Lundgren has seen these dynamics unfold firsthand, having lived the past seven years in Ashland, which is 10 miles down Route 99 from the film's titular city and about 90 minutes from where the film was shot in Klamath Falls. Since 2009, he's made three other indies set in this neck of the woods: Calvin Marshall, Redwood Highway and Black Road. "[These towns] feel almost like resting areas where people got off the highway to figure themselves out, " Lundgren says. "People are looking to start a new chapter, but there's also this sense of treading water. " Reinvention and complacency stage a quiet skirmish at the center of Lundgren's low-stakes, often winsome movie about a couple of townies opening a combination pizza parlor and bowling alley. On one end of that duality, there's Bobby (James Le Gros), a bartender and graphic novelist who's not so much struggling with his art as not properly trying. On the other is Carlos (Jesse Borrego), an eternally optimistic chef with a near-mystical attachment to his pizza-making. It's easy to see these two as a tireless angel and a hangdog devil on the shoulders of any creative person—especially a filmmaker working on shoestring budgets. "Bobby came to me on my worst days, " Lundgren says. "And on my best days, I feel like Carlos. " If not the deepest thematic well, Lundgren's naturalistic script is an ideal fit for the film's cavalcade of gifted character actors. Leading the way, Le Gros is something of an Oregon movie all-star, appearing in Gus Van Sant's Drugstore Cowboy and Kelly Reichardt's Certain Women. And Borrego is a cult icon for fans of 1993's Blood In Blood Out. Then there's Kevin Corrigan (Goodfellas, True Romance), who stands out as a bizarre bowling pinsetter mechanic named Al, and Lisa Edelstein (Girlfriends' Guide to Divorce), giving the film's strongest performance as the romantic lead Tanya, who transforms into a reality check. For fans of the American indie heyday circa 1990, it's quite a crew. "Our casting director [co-producer Christine Sheaks] would say to me, 'This is a real actor, Gary. You don't know how good they are'" Lundgren says. "Even more so, they want to know who they're acting with. " On a production of this size, every cast and crew member reveals another connection that helped the movie get made, but one unlikely figure comes to the fore. Lundgren credits Barry Hanscam, owner of Hanscam's Bowling Center in Klamath Falls, with essentially saving the movie's central conceit. "We looked all over Oregon for a bowling alley that felt so anachronistic that you really didn't know what decade it was when you walked in, " Lundgren says. The filmmakers also needed a bowling alley they could throw into disrepair before polishing it into the well-lit warmth of Bobby and Carlos' opening day. In that journey, the metaphor for the film's own creation is again apparent. When Carlos the optimist commands Bobby the pessimist to "visualize" their success, it's more than the half-empty encouragement of a Little League dad. "You're jumping out of a plane, " Lundgren says of making a movie, though he could just as well be talking about opening a bowling alley, "and hoping the chute opens. " SEE IT: Phoenix, Oregon screens at: Hollywood Theatre, 4122 NE Sandy Blvd.,, on Monday, May 13. 7 pm. $7-$9. Cinema 21, 616 NW 21st Ave.,, on Wednesday, May 15. $7. 50-$10. NW Film Center's Whitsell Auditorium, 1219 SW Park Ave.,, on Thursday, May 16. $4-$9. The filmmakers will attend all showings for post-film Q&A sessions.

Yeah... right! What about when hi is robbed of his guns and then they are used on him self? He is asking for it flashing around like that. It is like showing a wallet full of money, sooner or later he's gonna be robbed of it and that's the part that scares people. Guns was a day to day equipment back in time but today they are mostiy used in criminal activity or war. And hey! if someone is ranting, what about the guy in the video.

What a life this dog is living too lol. The fall of the American empire? this seems to have Nothing to do with America sooo wtf talk about miss titled. I could easily beat the Wahmen Jedi. + « From Jesus 2 Joker. 100% X3 <3 XOXO XDXD. So basically it is a remake of the film Memento but with superpowers. Wow, literally every one of those movies looks interestingly like a pile my dog makes in the yard daily.

Just use the handbrake. no rear lights to warn him. Plot Twist: He Is Still RIDDICK And Upgrades As Bloodshot. The people that shoot up schools are not walking down the street w/ an ak47. Lybia is old news now. Think you mean Syria? Don't get grumpy cause chanadia doesn't have any 226 yr old papers :D. Got to catch Phoenix, Oregon when it screened in SF recently. What a delightful movie. The acting is great, the storyline is heart-felt without being too sentimental, and there are a cast of unexpected characters that are funny and believable. Go see it in theatre or catch it when it comes to Netflix.

Now i gotta check this out. 9:45 I've just got a different scenario in my head Uh, YEAH.  That about sums everything up for you.  You live in your own world with your own point of view that few people deem acceptable in society.  No matter how many police officers kindly try to explain why these stunts are a bad idea, you never show any evidence of just merely entertaining their point of view for a few seconds.  You are dead-set and focused on your own point of view in your head.  You do not come off as rational at all. Remember Sammy Jankis.

Love it. When will a movie come out showing the life of Muhammad. Damn thumbnails. For a moment i thought a new Spawn was on the horizon. My wife, 16 year old son and I very much enjoyed the movie. The acting was very natural leaving me feel as if I lived the story in the movie rather than just having watched it. Great job by everyone!
The producers told me that the "R" rating was for the use of the "f" word 1x. I don't even remember hearing it. Hahaha.

Beautiful trail. His eyes 😍 loved the way he played Jezus. THIS DOG IS DOPE. Oh, that's a really nice gun. Is that a suppressor on the gun. This looks like the wedding at the end of Shrek. can't deal. Good job. He says we're getting lots of calls, and we have to explain to all of them that it's legal. Then he asks you what's the point. ummm, that is the point.

Thanks for the insight, now I'm sure about what I have to skip in cinema's this year. Andrew The Hog Santino. This trailer is edited by tom holland. Well would you look at that, Lando finally got his ship back. It's a darn good movie. No chase scenes or special effects, just a good plot, great character actors, and an interesting setting. The movie offers a believable story, a message that is not trite, and more than a few good laughs along the way. I suspect we will hear much more about this movie as it gets exposure, but go and see it as soon as you get a chance.


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A Quiet Place Part II file sharing




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Info: An entertainment appreciative podcast that talks about general entertainment in the furry world. Music, video games, movies, you name it? We got it. Mostly. ;3

Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize the creatures that hunt by sound are not the only threats lurking beyond the sand path; directed by=John Krasinski; genres=Thriller; actors=Emily Blunt. A quiet place part ii when. A quiet place part ii hindi. A Quiet Place Part ii b. Funny how that people in games and movies survive just fine either on their own or in groups, but when new people join in everything goes to hell. A quiet place part ii plot. Emily Blunt is back in a sequel to the 2018 horror hit directed by her husband, John Krasinski. Cilian Murphy and Djimon Hounsou are now part of the cast. As the first trailer for “A Quiet Place Part II” opens, the world has apparently returned to relative normalcy. Evelyn Abbott (Emily Blunt) even drives down a small-town street with her three children in tow. The peace lasts for only a few seconds, and then the deadly extraterrestrial creatures who terrorized her family in the original horror movie, a sleeper hit in 2018, reappear to create havoc. The sightless monsters, who attack and kill anything that causes sound, force the Abbott family out of their farmhouse and on the run. But after Evelyn trips a wire that triggers a noisy trap, she discovers a group of mysterious renegades (including characters played by new cast members Cillian Murphy and Djimon Hounsou) hiding out. They warn her that the enemies aren’t just aliens. As Murphy’s character puts it, “The people who are left are not the kind of people worth saving. ” Once again directed by Blunt’s real-life husband, John Krasinksi (who co-starred in the first installment), “A Quiet Place Part II” will be unleashed in theaters on March 20.

A quiet place part ii teaser. A quiet place part ii - official trailer - paramount pictures. AFTER MIDNIGHT: Inspired by a game. Basically a rip off of the game created by some developers. John I have major stunts, are you kidding me- I was there! and I was invisible to you people ? me and my poor deaf son Baylen was there. and you ignored us. Breaks my heart John... really breaks my heart. A quiet place part ii.

A quiet place part ii ซับไทย. A Quiet Place part ii. A quiet place part ii trailer 2020. A quiet place part ii cillian murphy. LOVED this movie, for all the things you brought up. One little detail I really liked that I noticed you didn't mention was that Reagan (the daughter) walked so carefully in comparison to the other characters, which makes sense seeing as she can't hear and wouldn't know how loud she was being so she would take extra precautions to be as quiet as she could.

BTW they got great hearts for loving their wife's. A Quiet Place part iii. When he speaks all I hear is Jim. Top gun 2. NO THANK YOU.😒. A quiet place part ii director. A quiet place part ii tropes. He just spoiled that shes going to hit someone. A quiet place part ii imdb. A quiet place part ii trailer breakdown. A quiet place part ii 2020 trailer.

A quiet place part iii. This is the first movie in such a long time that, after I collected myself from watching it for the first time, I immediately watched it again. and have watched several times since. I'm in love with the love story that Emily and John portray in this movie and the strength this family has despite literally everything going wrong. Probably one of the most beautiful and relatable 'horror' movies to date. A quiet place part ii review. A Quiet Place Part ii 4.

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Movie was not that good it was scary for no reason. i didn't understand it only. Emily Olivia Leah Blunt is a British actress known for her roles in The Devil Wears Prada (2006), The Young Victoria (2009), Edge of Tomorrow (2014), and The Girl on the Train (2016), among many others. Blunt was born on February 23, 1983, in Roehampton, South West London, England, the second of four children in the family of Joanna Mackie, a former actress and teacher, and Oliver Simon Peter Blunt, a barrister. Her grandfather was Major General Peter Blunt, and her uncle is MP Crispin Blunt. Emily received a rigorous education at Ibstock Place School, a co-ed private school at Roehampton. However, young Emily Blunt had a stammer, since she was a kid of 8. Her mother took her to relaxation classes, which did not do anything. She reached a turning point at 12, when a teacher cleverly asked her to play a character with a different voice and said, "I really believe in you". Blunt ended up using a northern accent, and it did the trick, her stammer disappeared. From 1999 - 2001, Blunt went to Hurtwood House, the top co-ed boarding school where she would excel at sport, cello and singing. She also had two years of drama studies at Hurtwood's theatre course. In August 2000, she was chosen to perform at the Edinburgh Festival. She was signed up by an agent, Kenneth Mcreddie, who led her to the West End and the BBC, scoring her roles in several period dramas on stage as well as on TV productions, such as Foyle's War (2002), Henry VIII (2003) and Empire (2005). In 2001, she appeared as "Gwen Cavendish" opposite Dame Judi Dench in Sir Peter Hall's production of "The Royal Family" at Haymarket Theatre. For that role, she won the Evening Standard Award for Best Newcomer. In 2002, she played "Juliet" in "Romeo and Juliet" at the prestigious Chichester Festival. Blunt's career ascended to international fame after she starred as "Isolda" opposite Alex Kingston in Warrior Queen (2003). A year later, she won critical acclaim for her breakout performance as "Tamsin", a well-educated, cynical and deceptive 16-year-old beauty in My Summer of Love (2004), a story of two lonely girls from the opposite ends of the social heap. Emily Blunt and her co-star, Natalie Press, shared an Evening Standard British Film award for Most Promising Newcomer. In 2005, she spent a few months in Australia filming Irresistible (2006) with Susan Sarandon and Sam Neill. Blunt gave an impressive performance as "Mara", a cunning young destroyer who acts crazy and surreptitiously provokes paranoia in others. She also continued her work on British television, starring as "Natasha" in Stephen Poliakoff's Gideon's Daughter (2005), opposite Bill Nighy, a role that won her a 2007 Golden Globe Award for Best Performance by an Actress in a Supporting Role. She continued the line of playing manipulative characters as "Emily", a caustic put-upon assistant to Meryl Streep's lead in The Devil Wears Prada (2006). Blunt's performance with a neurotic twist added a dimension of sarcasm to the comedy, and gained her much attention as well as new jobs: in two dramas opposite Tom Hanks, then in the title role in the period drama, The Young Victoria (2009). Her most recent works include appearances as antiques dealer "Gwen Conliffe" in The Wolfman (2010) and as the ballerina in The Adjustment Bureau (2011). Emily is a highly versatile actress and a multifaceted person. Her talents include singing and playing cello; she is also skilled at horseback riding. On August 28, 2009, Blunt and Krasinski announced their engagement. The couple married on July 10, 2010, at the estate of their friend, George Clooney, on Lake Como in Italy. Blunt and Krasinski live in the Los Angeles area, California, and have two children. More.

Ah... seems like Tony Stark forgot to snap it out of existence. A Quiet Place part time. During the moving Im eating and my brother is like “DUDE SHUT UP. ”. That arm coming out of the train window. A Quiet Place Part ii 2. Nothing can beat the BLENDER though. Super work i like this movie 😃. Hey they might be a seconed one like how it ended on the first one ya part 2 ok honey keep ear rapeing them and i shoot few years ago how it s5art3d. A quiet place part ii - official trailer. 61 61 Posted by 1 month ago 4 comments 96% Upvoted Log in or sign up to leave a comment log in sign up Sort by level 1 7 points · 1 month ago A Quiet Fookin Place level 2 Original Poster 3 points · 1 month ago No fucking shouting! level 1 2 points · 1 month ago So this is why season 6 isn’t coming out till 2021 level 1 1 point · 1 month ago He is so damn good with his accents. More posts from the PeakyBlinders community Continue browsing in r/PeakyBlinders r/PeakyBlinders Subreddit for the BBC TV series, Peaky Blinders. 78. 5k Members 162 Online Created Aug 19, 2013 help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved.

Me: stands up after sitting My joints: cRaCK My mind: Oh no. 7:35 : I like the music: My Favorite Things from Sound Of Music! The irony... 😆🤔. A quiet place part ii reddit. Lee is back. A quiet place part ii reaction. Thank God it's just a fan made video the best thing about a quiet place is that it started way after the apocalypse started we get to see them survive. The Corona Virus: Evolved. . A quiet place part ii rating. A Quiet Place Part ii w. My love for me became multifold when he got Cillian Murphy to do the sequel Talk about taste.

Just record Emery Bingham trying to do a whistle note lol. A quiet place part ii 2020. A quiet place part ii release. A quiet place part ii movie cast. Way to clean up the Inner City streets Terry. A quiet place part ii cast. Do a “Everything Great about The cabin in the woods”. 0:27 when u see ur teacher at ur front door. A quiet place part ii wiki.


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Sally Potter

It is a poem too. Also available in: 1280x800 1680x1050 1600x900 1440x900 1280x1024 1366x768 1920x1080 1920x1200 To install this wallpaper, Right-click on the image and from the pop-menu choose "Set as Background" or "Set as Wallpaper". To save this picture, Right-click on the wallpaper, choose "Save Picture As", rename the file whatever you like, and select a folder to store the image. The road not taken robert frost.


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The roads not taken bardem. Cover of Mountain Interval, copyright page, and page containing the poem "The Road Not Taken", by Robert Frost titl I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves, no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. [1] " The Road Not Taken " is a well-known poem by Robert Frost, published in 1916 as the first poem in the collection Mountain Interval. Its central theme is the divergence of paths, literal yet also clearly figurative, although its interpretation is noted for being complex and ( like the road fork itself) potentially divergent. History [ edit] Frost spent the years 1912 to 1915 in England, where among his acquaintances was the writer Edward Thomas. Thomas and Frost became close friends and took many walks together. After Frost returned to New Hampshire in 1915, he sent Thomas an advance copy of "The Road Not Taken". Thomas took the poem seriously and personally, and it may have been significant in Thomas' decision to enlist in World War I. Thomas was killed two years later in the Battle of Arras. [2] Analysis [ edit] "The Road Not Taken" is a narrative poem. It reads naturally or conversationally and begins as a kind of photographic depiction of a quiet moment in woods. It consists of four stanzas of 5 lines each. The first line rhymes with the third and fourth, and the second line rhymes with the fifth (ABAAB). The meter is basically iambic tetrameter, with each line having four two-syllable feet. Though in almost every line, in different positions, an iamb is replaced with an anapest. The variation of the rhythm gives naturalness, a feeling of thought occurring spontaneously, and it also affects the reader's sense of expectation. [3] In the only line that contains strictly iambs, the more regular rhythm supports the idea of a turning towards an acceptance of a kind of reality: "Though as for that the passing there … " In the final line, the way the rhyme and rhythm work together is significantly different, and catches the reader off guard. [4] It is one of Frost's most popular works. Some have said that it is one of his most misunderstood poems, claiming that it is not simply a poem that champions the idea of "following your own path", but that the poem, they suggest, expresses some irony regarding that idea. [5] [1] Frost's biographer Lawrance Thompson suggests that the poem's narrator is "one who habitually wastes energy in regretting any choice made: belatedly but wistfully he sighs over the attractive alternative rejected". [6] Thompson also says that when introducing the poem in readings, Frost would say that the speaker was based on his friend Edward Thomas. In Frost's words, Thomas was "a person who, whichever road he went, would be sorry he didn't go the other. He was hard on himself that way. " [7] Regarding the "sigh" that is mentioned in the last stanza, it may be seen as an expression of regret or of satisfaction, but there is significance in the difference between what the speaker has just said of the two roads, and what he will say in the future. [8] According to the biographer Lawrance Thompson, as Frost was once about to read the poem, he commented to his audience, "You have to be careful of that one; it's a tricky poem—very tricky, " perhaps intending to suggest the poem's ironic possibilities. [6] [9] A New York Times Sunday book review on Brian Hall's 2008 biography Fall of Frost states: "Whichever way they go, they're sure to miss something good on the other path. " [10] References [ edit] ^ a b Robinson, Katherine. "Robert Frost: "The Road Not Taken " ". Poetry Foundation. Retrieved 9 August 2016. ^ Hollis, Matthew (2011-07-29). "Edward Thomas, Robert Frost and the road to war". The Guardian. London. Retrieved 8 August 2011. ^ White, James Boyd (2009). Living Speech: Resisting the Empire of Force. Princeton University Press. ISBN   9781400827534. p. 98 ^ Timmerman, John H. (2002). Robert Frost: The Ethics of Ambiguity. Bucknell University Press. ISBN   9780838755327. 71 ^ Sternbenz, Christina. "Everyone Totally Misinterprets Robert Frost's Most Famous Poem". Business Insider. Retrieved 13 June 2015. ^ a b Thompson, Lawrance (1959). Robert Frost. Minnesota: University of Minnesota Press. ^ Thompson, Lawrance Roger; Winnick, R. H. (1970). Robert Frost: The early years, 1874-1915. Holt, Rinehart and Winston. p. 546. ^ Finger, Larry L. (November 1978). "Frost's "The Road Not Taken": A 1925 Letter Come to Light". American Literature. 50 (3): 478–479. doi: 10. 2307/2925142. JSTOR   2925142. ^ Kearns, Katherine (2009). Cambridge Studies in American Literature and Culture. 77. Cambridge University Press. ISBN   9780521109987. 73 ^ Miles, Jonathan (May 11, 2008). "All the Difference". New York Times. Retrieved June 13, 2015. External links [ edit] The Road Not Taken at 3 audio readings of The Road Not Taken Information about the poem and about Frost's life Critical essays on "The Road Not Taken" " The Most Misread Poem in America " by David Orr, The Paris Review, September 11, 2015.

The roads not taken summary. Awesome chain guns in that car. It hits everything except the bad guys. Storm Trooper technology. The road not taken robert frost analysis. The roads not taken film. The road not taken analysis line by line. The Roads Not taken. The roads not taken 2020. The road not taken trailer 2020. The road not taken audio. The roads not taken film 2020. Go on, I wanna listen to more music from you... The roads not taken movie trailer. Say would you like to play the grape game. thats the spirit. The road not taken by robert frost. The road not taken summary. Search This Blog Road not taken [Android] Take a hero having magic abilities through a snowy winter forest. Help him find children who got lost and cope with dangers. In this exciting Android game you will help the main hero find his own way in life. Levels are randomly generated with every new game, so you will not feel bored for a long time. The character can move objects and himself by means of magic. Use these features of the hero to overcome obstacles, deactivate traps, destroy hungry predators and rescue children who got into trouble. Game features: Stylish graphics Interesting tasks Many levels Exciting plot Download Size: 26. 8 MB (APK) Download Size: 119. 5 MB (Game Cache).

Jacob- your sound is divinity. Continue to inspire us all. I am very moved at this moment. The roads not taken poem. I am an English teacher, and I had never known of this interpretation. Thank you, sirs, for this enlightenment. And folks out there, never stop learning! There's always something we can be learning and seeing.

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Ritmo ⚪ Sincronismo ⚪ Tecnca ⚪ Eleganza ⚪ Perfezione ⚪ ⚪ ⚪ Danza Celtica ⚪⚪. Where's Jason Brown. Riverdance 25th Anniversary Show Watch online poker. Riverdance – 25 th Anniversary Show brings a powerful and stirring reinvention of this beloved favorite to the Fox Theatre in  The District Detroit  as part of the 2019-20 Fox Theatre Series.  Riverdance is celebrated the world over for its Grammy® award-winning score and the thrilling energy and passion of its Irish and international dance. Twenty-five years on, composer Bill Whelan has rerecorded his mesmerising soundtrack while producer Moya Doherty and director John McColgan have completely reimagined the ground-breaking show with innovative and spectacular lighting, projection, stage and costume designs. Riverdance began its journey as the interval act in the 1994 Eurovision Song Contest, produced for television by Moya Doherty. This electrifying and innovative seven minute dance piece was then developed into a full-length stage show by Producer Moya Doherty, Composer Bill Whelan and Director John McColgan. With its fusion of Irish and International music and dance, the show broke all box office records during its world première run in Dublin in early 1995. When the show transferred to London the reaction was unprecedented. There followed a hugely successful tour starting in New York in March 1996, where 8 sold-out shows at Radio City Music Hall heralded the start of two decades of touring by Riverdance companies throughout North America. Since its inception Riverdance has packed theatres throughout North America, Oceania, Asia, Europe, South Africa and South America. Immerse yourself in the extraordinary power and grace of its music and dance – beloved by fans of all ages.  Fall in love with the magic of Riverdance all over again. Group Tickets Discounts are available for groups of 10 or more. If you are interested in bringing a group to an upcoming event, please click the "Get Group Tickets" button below to fill out our interest form and a Group Sales Executive will contact you within 48 hours. If you would like to speak with an executive directly, please call 313-471-3099. For more group sales information and FAQs, please visit. Get Group Tickets Additional Ticket Information.

Riverdance 25th anniversary show watch online season. The opening dance number. gossebumps. NEWS February 2020 RIVERDANCE TURNS 25! Bill Whelan celebrates the launch of his album which he went back into studio to re-record twenty-five years on Read More Sunday Times Bill Whelan: Irish rebel’s story kick-started my Riverdance Score Read Article November 2019 LIFT THE WINGS No1 in China! Cai Chengyu, the 2018 winner of China's  Hunan TV  television programme  Super Vocal goes  #1 with Bill Whelan's song from Riverdance " Lift The Wings ”. Cai appears on the Chinese version of the  Riverdance 25th Anniversary: Music From The Show album singing "Lift the Wings". The song and went straight in at #1 on the QQ Music chart.  QQ Music is one of the leading Chinese music platforms with over 8 billion users. BILL WHELAN’S RIVERDANCE 25TH ANNIVERSARY MUSIC FROM THE SHOW OUT DECEMBER 6 VIA DECCA GOLD 3Arena, Dublin 6 – 9 February 2020 The SSE Arena, Belfast 19-23 February 2020 Decca Gold announces the forthcoming release of  Bill Whelan’s   album  Riverdance 25th Anniversary: Music From the Show  on December 6. BUY THE ALBUM Celebrated around the world for its Grammy-Award winning score, thrilling energy, and passion of its Irish and international dance, this release is the powerful and stirring reinterpretation of  Bill Whelan’s  mesmerizing soundtrack to  Riverdance. Twenty-five years on, composer  Bill Whelan  went back into the studio to re-record the soundtrack to the show. He says  “The music has moved into a very different position from when we first recorded it. A lot of the players on the original recording would have only heard the music a day or two before whereas in this case, the music has almost been in the ether for a lot of the musicians, many of whom weren’t even born when I first wrote the score. As a result, these players come to this recording with a unique virtuosity - distinguished with both a familiarity and an energetic freshness”. Riverdance 25th Anniversary: Music From The Show  features many of the world’s finest young musicians including: Mark Alfred who injects and different kind of excitement to this album with his drumming, world renowned Mandolin player Avi Avital, traditional and classically trained Fiddle player Zoe Conway, award winning multi-instrumentalist Tara Howley (Uilleann Pipes & Low Whistle), emerging Spanish Guitarist Amos Lora, two time All Ireland Fiddle Champion Pat Mangan, International soloists Emma McPhilemy and Emma Frampton (Soprano Sax), Damien Mullane (Accordion), finest Eastern European musicians Nedyalko Nedyalkov (Gadulka) and Peyo Peev (Kaval), teenage sensation Haley Richardson on Fiddle, the RTÉ Concert Orchestra and singers Lynn Hilary and Múireann Nic Amhlaoibh who makes her Riverdance debut with a stirring performance of the show’s principle song  Lift The Wings. Riverdance began its journey as the interval act in the 1994 Eurovision Song Contest. This electrifying and innovative seven-minute dance piece was then developed into a full-length stage show by Producer  Moya Doherty, Composer  Bill Whelan, and Director  John McColgan. With its fusion of Irish and International music and dance, the show broke all box office records during its world premiere run in Dublin in early 1995. When the show transferred to London, the reaction was unprecedented. There followed a hugely successful tour starting in New York in March 1996, where 8 sold-out shows at  Radio City Music Hall  heralded the start of two decades of touring by Riverdance companies throughout North America. Since its inception, Riverdance has packed theatres throughout North America, Oceania, Asia, Europa, South Africa, and South America. See tracklist and tour dates below. Twenty-five years on, while composer  Bill Whelan  has reinterpreted the soundtrack, the original team have reimagined the ground-breaking show with innovative and spectacular lighting, projection, stage, and costume designs. Since it began, Riverdance has been seen live by over 27. 5 million people. TRACKLIST: Reel Around The Sun The Heart’s Cry The Countess Cathleen/Woman of the Sidhe Caoineadhe Cú Chulainn Firedance Shivna Slip Into Spring/The Harvest Riverdance American Wake (The Nova Scotia Set) Lift the Wings Trading Taps Macedonian Morning Marta’s Dance/The Russian Dervish Andalucía Traditional Set Heartland Home and the Heartland September 2018 Bill Whelan Presents: Featuring Emily Flack and Séamus Flaherty Irish Arts Center @ 8pm 16 & 17 November 2018 Grammy award-winner Bill Whelan introduces some of the most dynamic artists emerging out of Ireland and North America Bill Whelan’s eminence as the Grammy-winning composer of Riverdance is well known. Perhaps less popularly understood—but deeply appreciated among artists—is his role as a champion of the next generation of Irish talent. This season we are proud to welcome Whelan back to Irish Arts Center for a new series, Bill Whelan Presents, featuring the composer at the piano alongside some of the most dynamic young singers, dancers, and musicians emerging out of Ireland and North America. Join us in the intimate Irish Arts Center theatre as Whelan is joined by Canadian singer-songwriter and step-dancer Emily Flack and the multi-talented sean-nós singer, dancer, and harpist Séamus Flaherty from Connemara, along with special guests. For more information Irish Art Center Box Office 866-811-4111 For tickets online August 2018 SUMMER TRAD with ZOE CONWAY and JOHN McINTYRE with guests Bill Whelan, Donal Lunny and Mick O'Brien Presented by the RTÉ Concert Orchestra Friday 17th August, 7. 30pm RTÉ Concert Orchestra David Brophy, conductor Zoe Conway John McIntyre The RTÉ Concert Orchestra brings the magic of the Drogheda Fleadh to Dublin with a wonderful evening of traditional music lead by fiddler Zoe Conway. She will be joined on stage by her partner John McIntyre – together they have been described by the BBC as simply one of the best folk duos of the planet. March 2018 BILL WHELAN LYRIC FM ORCHESTRAL ALBUM Behind the Scenes interviews with Bill Whelan, David Brophy and footage of the RTE National Symphony Orchestra recording ‘Riverdance Symphonic Suite’, ‘Linen & Lace’ and ‘Inishlacken’ for the new Lyric album release. RTE Lyric FM album release (CD155) International Dublin Choral Festival – St Patrick’s Cathedral Saturday 24th March at 8pm Bill  has written a choral piece titled Music of  a Lost Kingdom which will be performed by 3 choirs, Cor Fingal, Sligo Orpheus Choir and the Episcopal Chorale Society from the US.  Aonghus McAnally is hosting the evening. 22nd-24th March BILL WHELAN - RIVERDANCE: A SYMPHONIC SUITE, LINEN & LACE, INISHLACKEN New RTE Lyric FM album of the orchestral music of Bill Whelan performed by the RTE National Symphony Orchestra and soloists Sir James Galway and Helena Wood & Zoe Conway. Conducted by David Brophy. Bill Whelan created the music for  Riverdance  in 1994 as an interval act for RTÉ’s hosting of the Eurovision. It was one of those seismic moments of culture in which his use of traditional idioms in a completely new composition reframed the way Irish music and dance was viewed not just by people outside of the country but also at home. The show has been seen by over 24 million people in more than 450 venues worldwide. This premiere recording of three of Whelan’s major compositions, performed by the RTÉ National Symphony Orchestra conducted by David Brophy, again reveals his ability to create original and accessible new music, this time in an orchestral context. He wrote  Linen and Lace,  a flute concerto for Sir James Galway as a work that musically unites their respective home cities of Belfast (linen) and Limerick (lace). In three sections, the first two begin briefly with melodies associated with that city but then quickly move into a virtuosic celebration of powerful human force intrinsic to any true sense of place: flute, harp and orchestra variously duet, brass fanfares and marches conjure the industrial life and energy of Belfast and Limerick before the work concludes with a solo flute cadenza. Inishlacken  is a concerto for two violins (one in the classical style played by Helena Wood and one traditional played by Zoe Conway), named after a deserted island off the Galway coast. This first movement imagines a trip in a currach out to Inishlacken before a beautifully evocative middle section in which the two violins mimic the whirling flight of restless seabirds as they wheel and swirl around the island. Finally, evening on Inislacken is conjured in memory of the departed inhabitants as the quiet sunset is replaced by the music and dance. The third work on the CD is Whelan’s symphonic setting of the music of  Riverdance.  He has kept the rhythmic energy and melodies that make the work so popular but presents all the themes in a way that is playable by the majestic sweep of a full orchestra, without the traditional musicians. The RTÉ lyric fm label is dedicated to promoting Irish musicians and composers worldwide. Our CDs have been critically acclaimed nationally and internationally from Australia to Germany and the United States of America. Jan 2018 DOLORES O’RIORDAN - a message of tribute and condolence. When a fine artist and performer departs suddenly, her home city feels the grief intimately. When that artist was at the height of her powers with much left to do, then that grief is more sharply felt. But nothing equals the wrenching loss felt by her children, her loved ones, family and friends. Dolores you have left warm memories and a legacy which will keep growing in the coming years, and a city which is proud to have been your birthplace and your home. Bill Whelan Composer, Freeman of Limerick November 2017 IN THE NAME OF PEACE:  JOHN HUME IN AMERICA A Film written, directed and produced by Maurice Fitzpatrick Belltable Theatre Monday 4th December at 8pm Narrated by actor Liam Neeson, the film charts how the political created the framework for peace in Northern Ireland.  The documentary includes wide-ranging interviews with former US Presidents Bill Clinton and Jimmy Carter and Barack Obama and UK Prime Ministers John Major and Tony Blair.  Original music by Bill Whelan. For more information and tickets; July 2017 Premiere screening at 29th Galway Film Fleadh 11th - 16th July 2017 In the Name of Peace: John Hume in America is a feature documentary, made by Maurice Fitzpatrick, which includes interviews with President Bill Clinton, President Jimmy Carter, many US Senators and Congressmen, as well as Irish leaders and British Prime Ministers Tony Blair an John Major.  The film is narrated by Liam Neeson and scored by Bill Whelan. For more details and ticket information; April 2017 THE TRAIN Rough Magic Theatre Co’s musical The Train premiered in Ireland in 2015 with successful seasons in Limerick and at Dublin Theatre Festival. This April it has returned to perform on the main stage of the Abbey Theatre and The MAC Belfast. Directed by Lynne Parker, with book and lyrics by Arthur Riordan and music composed by Bill Whelan, the nine strong cast includes, Lisa Lambe, Clare Barrett, Kate Gilmore, Danielle Galligan, Sophie Jo Wasson, Darragh Kelly, Louis Lovett and Karen McCartney. In an environment where gender equality in theatre has never been more pertinent, The Train is a fictional celebration of actual events surrounding the legendary Contraceptive Train, the remarkable media coup orchestrated by the Irish Women’s Liberation Movement in 1971 that changed the social landscape of Ireland. Determined to challenge the restrictive laws of the Irish State, a group of trailblazing women take a train to Belfast and return to Dublin with forbidden contraceptives. The Train continues at The Abbey until April 15th and moves to The MAC Belfast from 19th - 23rd April. Reviews from opening night at The Abbey: May 2016 THE MUSIC OF  BILL WHELAN GRAMMY AWARD-WINNING COMPOSER OF RIVERDANCE TO BE PERFORMED AT  THE KENNEDY CENTER (DC) MAY 17 LINCOLN CENTER (NY) MAY 19 ASHLAND POPS (OR) JULY 4 While internationally-acclaimed Irish composer  Bill Whelan’s  music for  Riverdance  has continued to thrill audiences around the world for the past 20 years, his more recent original orchestral compositions are now sought after on both sides of the Atlantic. The Grammy Award-winning composer has written for theatre, film and orchestra and now fields requests to not only allow his works to be done by major institutions and festivals, but to perform them himself. Whelan recently returned from France where he performed with the Breton Symphony Orchestra. On Tuesday, May 17 – Kennedy Center Concert Hall, Washington, DC, two of his pieces, “Carna” (from The Connemara Suite) and “Firedance” (from  Riverdance)  will be performed at the opening of The Kennedy Center Festival “Ireland 100: Celebrating a Century of Irish Arts & Culture. ”  Directed and hosted by Olivier Award-winning actress Fiona Shaw, the concert reveals the talent, soul and enthusiasm of the Irish, showcasing a small slice of what the new Ireland has to offer. The performance will feature former  Riverdance  star Colin Dunne and others along with the National Symphony Orchestra under the baton of Irish conductor David Brophy. On Thursday, May 19 at Lincoln Center’s Bruno Walter Auditorium, New York, Conor Linehan, acclaimed pianist and composer with the Abbey Theatre (Ireland’s National Theatre), offers a musical exploration of Irish history. In this informal concert, Conor performs music from the period of the 1916 Easter Rising, when Ireland began their revolution against British rule, up to contemporary music from Ireland in 2016, including the music of Bill Whelan. On Sunday, May 29 The Schull Fastnet Film Festival in Dublin, Whelan will discuss “Music in Film” in conversation with Maurice Seezer. He’ll discuss his approach to composing for film, referring to his work from  Dancing At Lughnasa  for Pat O’Connor,  Some Mother’s Son  for Terry George and  Poitín  for Bob Quinn among others. On Monday, July 4 in Ashland, Oregon, 200-plus members of the American Band College master’s degree program will join together for the 28th annual Star Spangled Spectacular “Ashland Pops” at the Ashland High School Stadium. The group includes band directors from over 35 states and 5 countries performing this multi-faceted show that includes the music of Bill Whelan - “The Seville Suite” and highlights from  Riverdance. Bill Whelan received the 1997 Grammy Award for his music for  Riverdance. More than 22 million people have seen  Riverdance  live.  The CD has been certified platinum in the United States. His orchestral work,  The Seville Suite  was specially commissioned for Expo ’92 and continues to be widely performed,  The Spirit Of Mayo, written for orchestra and choir was first performed in 1993 at Dublin's National Concert Hall. His musical settings of the literary works of Irish writers have been performed widely at home and abroad and include the poetry of Paul Muldoon, Derek Mahon, Tom McIntyre, Frank McGuinness and Paul Durcan. As a producer in the studio he has worked with U2, Van Morrison, Kate Bush, Richard Harris, The Dubliners, Planxty, Andy Irvine, Davy Spillane and Bulgarian/Irish band, East Wind.  His film work includes music scores for “Dancing At Lughnasa” starring Meryl Streep, “Some Mother’s Son” featuring Helen Mirren and “Lamb” with Liam Neeson.   The Connemara Suite, a trilogy of pieces composed for chamber orchestra premiered at Carnegie Hall by the Irish Chamber Orchestra in March 2005.  He was commissioned by RTE Lyric FM to write a concerto for flute for Sir James Galway in 2014. Titled  Linen & Lace  it was commissioned to celebrate the city of Limerick as the National City of Culture.   It was performed by the Irish National Symphony Orchestra and subsequently by the Chicago Symphony Orchestra.   The Train  musical was inspired by the contraceptive train and the Irish Woman’s Liberation Movement of the 1970’s.  With music by Bill Whelan and lyrics by Arthur Riordan, it was performed as part of the Dublin Theatre Festival in 2015. Bill serves on the boards of Berklee School of Music in Boston, the University of Limerick Foundation, and Music Generation.  He is a Fellow of the Royal College of Music, holds two honorary doctorates and was recently elected to  Aosdána,  the prestigious Academy of Irish artists. FASTNET FILM FESTIVAL 25th-29th May 2016 The Fastnet Film Festival takes place every year in the picturesque fishing village of Schull on the south-west coast of Ireland. Bill Whelan will be in conversation with Maurice Seezer on Sunday 29th May as part of this years festival. Discussing “Music in Film”, the talk takes place in the Plaza Cinema from 3pm - 5pm. Tickets can be booked on APRIL 2016 Orchestra Symphonic de Bretagne Danses De L’ile Emeraude Bill Whelan will join the Orchestra Symphonic de Bretagne in Rennes, Quimper & Ploermel for a series of concerts on April 27, 28, 29 & 30. The programme will feature compositions such as Inishlacken, Jazzical Cyclebike, Carna, Riverdance, Hymn to a Broken Marriage and Humours of Barrack Street. Derek Gleeson will conduct the orchestra and other soloist to appear will be Athena Tergis, Fionnuala Hunt and Mick Donegan. NBC New York - “Ireland Rising” Concert Bill Whelan discusses the Ireland Rising Concert for the Irish Arts Center with Pei-Sze Cheng of NBC New York IRISH ARTS CENTER PRESENTS IRELAND RISING: WORDS AND MUSIC FOR A NEW CENTURY, APRIL 22 Benefit Concert Hosted by Composer Bill Whelan and Poet Paul Muldoon Celebrates Ireland’s Centenary and Launches Capital Campaign for Irish Arts Center’s New Home Extraordinary Lineup of Artists Includes Paul Brady, Anne Enright, Mick Moloney, Liam Neeson, Declan O’Rourke, Panti Bliss, Zadie Smith, Colm Tóibín, Cassandra Wilson and More On April 22nd, the eve of the 100th anniversary of Ireland’s 1916 rising, Grammy Award-winning composer Bill Whelan and Pulitzer Prize-winning poet Paul Muldoon will host Ireland Rising: Words and Music for a New Century, a celebration of new beginnings for Ireland, Irish America and Irish Arts Center. The evening is a statement of intent for Irish Arts Center as it begins a new century and looks forward to the construction of its heralded new home. Ireland Rising will take place at 8pm in the Peter Jay Sharp Theater at Symphony Space (2537 Broadway, NYC). Tickets, starting at $125 and can be purchased at. The Ireland Rising lineup, like Irish Arts Center, represents the dynamism and diversity of contemporary Irish culture, with appearances by singer-songwriters Paul Brady, Loah, Nicole Maguire, Liam Ó Maonlaí and Declan O’Rourke; actors Lisa Dwan and Liam Neeson; authors Anne Enright, Nick Laird, Zadie Smith and Colm Tóibín; Irish traditional musicians Mick Moloney, Athena Tergis and Joanie Madden; drag queen and activist Panti Bliss; vocalist and guitarist Becca Stevens; jazz guitarist Andreas Varady and singer Cassandra Wilson; and Women of the World; in addition to Muldoon and Whelan. Ireland Rising will coincide with the launch of Almost Home, the public phase of Irish Arts Center’s capital campaign for its new facility, at 726 11th Avenue, adjoining the Center’s existing building at 553 West 51st. The Center expects to complete the campaign this year—Ireland’s Centenary—and to begin construction in 2017. Aidan Connolly, Executive Director of Irish Arts Center, said, “The New Irish Arts Center is so much more than a state-of-the-art new building. It’s about sharing Ireland’s great legacy of innovation and creativity with artists and audiences of all backgrounds, and looking forward to the next hundred years of Ireland and Irish America. ” A Nation’s Voice The RTE National Symphony Orchestra, conducted by David Brophy, perform an open-air concert at Collins Barracks on Easter Sunday as part of Ireland 2016. The concert featured more than 1000 singers who performed an RTE special commission by Paul Muldoon and Shaun Davey. Zoe Conway, Helena Wood and Colin Dunne performing excerpts from Bill Whelan’s The Connemara Suite features. Available to watch on the RTE Player; MARCH 2016 ST PATRICK’S DAY CELEBRATION 2016 The RTE National Symphony Orchestra celebrates St Patrick’s Day with a concert of Bill Whelan and Shaun Davey’s orchestral works fusing Irish traditional music with symphonic sound. For more details KEY NEW APPOINTMENTS MADE TO LIMETREE & BELLTABLE THEATRES IN LIMERICK A number of appointments have been made to theatre’s in Limerick including Bill Whelan’s appointment to the Board of the Limetree Theatre. Full story OCTOBER 2015 Dublin Theatre Festival Dublin Theatre Festival, Review by Sinead Gleeson, The Irish Times - The Train, Project Arts Centre JULY 2015 Music by Bill Whelan and Lyrics by Arthur Riordan Directed by Lynne Parker Produced by Rough Magic Theatre Company A new musical by Arthur Riordan and Bill Whelan inspired by the contraceptive train and the Irish Woman's Liberation Movement of the 1970's. The Train premieres at the Lime Tree Theatre Limerick (29 September to 3 October) and transfers to the Dublin Theatre Festival at the Project Arts Centre (6 - 11 October) First stop: The Lime Tree Theatre 29 Sept - 3 Oct Second stop: Dublin Theatre Festival 6 - 11 Oct @ Project Arts Centre JUNE 2015 RIVERDANCE RETURNS TO DUBLIN 20 years after it premiered in Dublin in February 1995, Riverdance returns for its 12th summer season at the Gaiety Theatre from 23 July - 30 August 2015. RIVERDANCE TRINITY COLLEGE INTERNATIONAL SUMMER SCHOOL Riverdance has joined with Trinity College to launch a 6 day summer school that will feature lessons with professional dancers who will show participants iconic choreography from the show aswell as all aspects of being a professional dancer.  Running over 3 weeks in July, courses are available with either residential or non-residential options. 3rd DUBLIN INTERNATIONAL PIANO FESTIVAL Saturday 25th July - Sunday 2nd August Featuring performances, master classes and seminars from world renowned musicians.  Held over a period of ten days in various venues across Dublin City, the festival hosts internationally renowned concert pianists and educators, masterful pianists whose credentials include prestigious University positions, prizes in international competitions and acclaimed recordings. As part of the Festival, Bill Whelan will host a Seminar on Wednesday 29th July at 1. 05pm in the John Field Room of the NCH titled "Composition, Improvisation - Who has the rights and does it matter? " SEPTEMBER 2014 OPENING OF CLIFDEN ARTS FESTIVAL 2014 Opening address by Bill Whelan Before proceeding to the very pleasant task of formally launching the 37th Clifden Arts Festival, I would like to take a few minutes to reflect on the meaning of this festival within the context of what is happening in the wider world of the Arts today. I don’t think that there has ever been a time in the history of civilization to compare with what we are experiencing today in terms of the rate of change as a result technological advances. When the first poem was printed by Johannes Gutenburg in 1450, we seemed to be at the doorstep of a Brave New World in terms of publishing and the widespread dissemination of ideas. And when the Industrial Revolution kicked off in the mid 1700s, it was to herald two centuries of massive upheaval, redefining our social and political structures, our methods of production, and how we used our leisure time. Those of us here in this hall who are old enough to remember the 1960s will recall the sense of heady excitement that surrounded the various Civil Rights movements, Flower Power and the Hippies, and the youthful challenge to authority, to censorship, to sexual mores which had been inherited from the great political and ecclesiastical institutions from Queen Victoria to the Church of Rome. What strikes one today about all of these great changes was how long they took. The industrial revolution took centuries to take effect, as innovation led to further innovation and the associated ideas seeped into the fabric of society and slowly spawned further invention. Alvin Toffler, the great futurist, wrote a book in the late 1960’s called “Future Shock”. In it he drew attention to the acceleration of change that the 20th Century was living through and suggested that we were suffering from a condition where the future was arriving faster than we could cope with as humans. He prophesied that “The illiterate of the 21st century will not be those who cannot read and write, but those who cannot learn, unlearn, and relearn. ” There is much truth in this, and from our perspective here in 2014, the Industrial Revolution seems like a rather leisurely affair when measured against the velocity of change we are experiencing today. Even the relaxed and chilled hippy movement seems out of place in our world of turbulence, clamour and noise. So, how does all this relate to the Arts, and in particular to the Clifden Arts Festival? The artist’s position in society has often been seen as prophetic. This might raise images of crystal ball gazing and mumbo-jumbo pronouncements about the future. I tend to see the role of the Arts as being a far more subtle and at the same time more practical one. It is our way of explaining ourselves to each other, of interpreting what is happening around us, of questioning our beliefs, and of presenting a visionary image of our future. The Arts is prophetic not insofar as it predicts the future, but more inasmuch as it can become the engine for that future. When it does its job well, it is essentially transformative. There are a number challenges that face us in our technology-drenched world where I believe the Arts can deliver some solutions and perhaps give consolation to those who are suffering from our 21st century version of “future shock”. The first relates to isolation. It is highly ironic in a world where we have created the most extraordinary tools of communication since the log-drum, that we often now increasingly speak of “isolation”. Those of us who have embraced the technology may on occasion find ourselves retreating into the ostrich world of our iPhones and Androids as we sit with our friends or family in restaurants or while watching TV. In an elevator or on the bus everybody reaches for their mobiles or tablets rather than engaging with those around them. Our “social media” might justifiably be seen as our “anti-social media”. The world of Facebook is filled with people posting “selfies” and Twittering on about what they had for breakfast. The whole thrust of it all is to tell the world what you feel about everything, rather than asking how they are feeling. All the traffic flow is outward with little time for either inward reflection or direct human engagement. It is hardly surprising then that we would start to speak of isolation. A world obsessed with “self” can hardly be expected to generate any real response from the “other”. Let me pause here for a moment to stress that I feel extremely positive about all the technological advances to date and I am as excited about the future as I was when I bought my first computer and got my first Internet connection in the early 1990s. I do not have a dystopian or negative view of what is happening to us, but I do believe that we are living through a period where, simply put, we just haven’t had the time to get comfortable with all the changes and challenges being presented to us. We haven’t had the time to understand it all, to grow a set of responses to it, and we certainly have neither the time nor the energy to navigate through the Tower of Babel that is the Internet. It is not surprising then that another challenge that faces us relates to how we value our artistic endeavours, or as the Internet calls it – our creative content. With so much of everything clamouring for our attention, it was perhaps inevitable that we would arrive at a stage where one of the greatest rock-acts in the world consented to having their music given away free. It was perhaps the logical endgame in the decay of the relationship between an artist and their audience. In U2s deal with Apple the audience were completely written out of the equation and it became about a deal between a wealthy corporation and a group of musicians. It affirmed that the value of recorded music had arrived at ground zero, and that its real worth was seen as a promotion for something else, in this case a mobile phone. Astra Taylor has written the most incisive book on the current state of culture that I have read. It is called “The Peoples Platform”. In it she says “wealth and power are shifting to those who control the platforms on which all of us create, consume, and connect. The companies that provide these and related services are quickly becoming the Disneys of the digital world—monoliths hungry for quarterly profits, answerable to their shareholders not us, their users, and more influential, more ubiquitous, and more insinuated into the fabric of our everyday lives than Mickey Mouse ever was. As such they pose a whole new set of challenges to the health of our culture. ” May I say that here in Clifden over the next 10 days and at over 100 wonderful events, we will see a series of powerful responses to all these challenges. Here we will see the Arts doing what they do best – engaging, informing, transforming, entertaining, relaxing, un-relaxing, bothering, consoling, evoking, comforting, discomforting, enlightening, interpreting, uplifting, reminding, confusing, confirming, but most of all bringing us together and requiring us to sit up, pay attention, and take note. It is time to put away our ear-pods, put our phones on silent, re-enter the world by leaving it, and look around, as Paul Simon says, all you’ll see is sympathetic eyes. This festival is 37 years a-growing in the heart of the community here, springing from and linked intimately in a very special way to the education of the young people of Clifden – those young people who will make the art of the future. It is an annually blooming and a precious flower. It is a gift to Clifden and it is a measure of how it is valued that it is a gift that keeps on giving. I am proud to formally ignite the fuse under the next two weeks of fun and enlightenment and I have great pleasure in declaring the Clifden Arts Festival 2014 well and truly launched. AUGUST 2014 BILL WHELAN'S RIVERDANCE BBC Proms 51 - Monday 25th August Bill Whelan's "Riverdance" Suite will be performed by the Ulster Orchestra in the Royal Albert Hall as part of the BBC Proms. The matinee concert will be broadcast live on BBC Radio. Tune in at 4. 20pm to listen. US PREMIERE FOR NEW BILL WHELAN WORK JULY 2014 Chicago Symphony Orchestra will link with James Galway at Ravinia Festival Review - Classical: James Galway, NCH, Dublin Irish Independent Read Full Article JUNE 2014 BILL WHELAN HOT PRESS INTERVIEW WHELAN IN THE YEARS On the 20th anniversary of Riverdance, composer Bill Whelan looks back at the phenomenon he gave birth to, recalls the fateful decision to sack Michael Flatley, discusses the Limerick City of Culture controversy and shares his thoughts on the future of music in an era when fewer and fewer people pay for records. Niall Stokes, 23 June 2014 Read full article on Hot Press MAY2014 Bill Whelan’s stroll down memory lane for Nationwide Read full article Limerick Leader Ulster Orchestra perform Riverdance at the Royal Albert Hall BBC Proms - Monday 25th August 2014 The Ulster Orchestra, conducted by Jac van Steen, will give the UK premiere of "Riverdance: A Symphonic Suite" as part of the BBC Proms at the Royal Albert Hall on Monday 25th August 2014. For more details on this year's Free Prom can be found on Chicago Symphony Orchestra and Sir James Galway to perform US premiere of Linen and Lace, RTÉ lyric fm’s new commission from Bill Whelan at Ravinia Festival following world premiere performances with RTÉ National Symphony Orchestra and Sir James Galway in Dublin and Limerick in June. The RTÉ National Symphony Orchestra, Sir James Galway and conductor Gavin Maloney will give the world premiere performances of the RTÉ lyric fm commissioned Linen and Lace in Dublin and Limerick at the Bill Whelan Gala concerts this June. Two weeks later, one of the world’s leading orchestras, the Chicago Symphony Orchestra, Sir James Galway and conductor Miguel Harth-Bedoya will give the US premiere of the piece at the renowned Ravinia Festival in Illinois on Tuesday 8 July. In Dublin and Limerick Linen and Lace will be heard as part of an evening which brings star performers from the worlds of classical and traditional music — Sir James Galway flute, Zoë Conway fiddle, Catherine Leonard violin and Colin Dunne dancer — together with the RTÉ National Symphony Orchestra and Gavin Maloney to perform some of Whelan’s best known music: the colourful Riverdance Symphonic Suite, the evocative Inishlacken and the exhilarating An Chistín from the Connemara Suite, Whelan’s playful interaction between fiddle, feet and orchestra. The Bill Whelan Gala concerts will take place in Dublin on Friday 20 June as part of the RTÉ National Symphony Orchestra’s Summer Season and, in association with Limerick City of Culture 2014, in Limerick on Saturday 21 June. With Bill Whelan’s wish to create a piece linking his native city of Limerick with James Galway’s home city of Belfast, Bill took as his starting point what he describes as ‘a beautiful image’ in ‘An Unborn Child’ by the Belfast Poet Derek Mahon. ‘With the image of ‘the child awaiting its birth, and the mother sewing in expectation of the infant arrival, I pictured the mother fingering the filigree of Limerick Lace and grasping the supple strength of Belfast Linen. Somehow this image, and the anticipatory life of the womb, became the affirmative force which inspired this piece. ’ Having recently completed the work, Bill says: ‘While writing Linen and Lace, I was constantly conscious of that powerful human force that drives the cities of Belfast and Limerick - the working men and women. Growing up in Limerick, I was very aware of this internal engine as the citizens went about their daily lives in the factories, around the docklands, in the shops and the offices. With its massive shipbuilding and other industries, Belfast shared this kind of pulsing life with Limerick, and it is no accident that a kind of wry humour is common to both locations. In Linen and Lace, I have tried to celebrate this urban life and I am honoured that a son of Belfast, the legendary James Galway, will give this piece its premiere performances. ’ News of the US premiere has been greeted warmly by both Bill Whelan and RTÉ Lyric fm Head, Aodán Ó Dubhghaill: Bill Whelan: ‘I am delighted, of course, that Linen and Lace will receive its premiere performances in Limerick and Dublin with our superb RTÉ National Symphony Orchestra, but it is an unexpected pleasure for me as composer that the Chicago Symphony will also perform it in July at the Ravinia Festival. I am greatly appreciative of RTÉ Lyric fm's role in bringing this piece into being. ’ Aodán Ó Dubhghaill, Head of RTÉ lyric fm: ‘In 1999 RTÉ made the decision to base Ireland's National Music and Arts radio station, RTÉ lyric fm, in Limerick, named City of Culture for 2014. To mark the City of Culture designation and to celebrate the city's rich musical heritage, RTÉ lyric fm commissioned renowned composer and proud Limerick man Bill Whelan to write a flute concerto for the combined forces of Sir James Galway and the RTÉ National Symphony Orchestra. We are delighted that Linen and Lace, Bill’s major new work, will be premiered in Dublin and Limerick – and that audiences around the world will be able to watch and hear the Limerick concert live through a live broadcast and web-stream on The importance of this RTÉ lyric fm commission is confirmed by the fact that the world famous Chicago Symphony Orchestra will premiere the work in the US at the renowned Ravinia Festival, Illinois within a couple of weeks of its Irish premiere. ’ Detailed listings information: Friday 20 June 2014, 8pm: Dublin National Concert Hall Saturday 21 June 2014, 8pm: Limerick University Concert Hall* Bill Whelan Gala with RTÉ National Symphony Orchestra Sir James Galway, flute Zoë Conway, fiddle Catherine Leonard, violin Colin Dunne, dancer Gavin Maloney, conductor Presented by RTÉ lyric fm and the RTÉ National Symphony Orchestra Programme An Chistín from the Connemara Suite Riverdance Symphonic Suite Linen and Lace World premiere performances. RTÉ lyric fm commission Inishlacken Friday 20 June: Dublin: National Concert Hall, 8pm Tickets: €20, €28, €38, €45 (concessions €18, €25. 20, €34. 20, €40. 50) Booking: 01 417 0000 | | Saturday 21 June: Limerick: University Concert Hall, 8pm in association with Limerick City of Culture Tickets: €35 (concession €32. 50) €30, €20 Booking: University Concert Hall | | 061 331549 RTÉ lyric fm and the RTÉ National Symphony Orchestra present A Bill Whelan Gala with Sir James Galway, the RTÉ National Symphony Orchestra and star performers in Dublin and Limerick Saturday 21 June Star performers from the worlds of classical and traditional music, Sir James Galway flute, Zoë Conway fiddle, Catherine Leonard violin and Colin Dunne dancer, join the RTÉ National Symphony Orchestra and conductor Gavin Maloney to celebrate the music of Grammy-winning Riverdance composer Bill Whelan with concerts in Dublin and Limerick in June. The Bill Whelan Gala concerts will take place in Dublin on Friday 20 June as part of the RTÉ National Symphony Orchestra’s Summer Season and, celebrating Limerick City of Culture 2014, in Limerick on Saturday 21 June. The concerts will see the world premiere performances of Linen and Lace, Whelan’s new flute concerto for the internationally renowned flautist, Sir James Galway and symphony orchestra, commissioned by RTÉ lyric fm to mark Limerick City of Culture, and will feature some of Whelan’s most popular music:the colourful and dynamic Riverdance Symphonic Suite, the evocative Inishlacken and the exhilarating An Chistín from the Connemara Suite, Whelan’s playful interaction between fiddle, feet and orchestra. On his new composition Linen and Lace, Bill Whelan says: “When Sir James Galway and I first spoke of working together towards the birth of a new flute concerto, we wanted to link our two native cities. Belfast and Limerick are renowned respectively for their linen and lace and it was a beautiful image in "An Unborn Child" by the Belfast poet Derek Mahon which lubricated my imagination. The child, awaiting its birth, muses on the mysteries relayed "through the dark network" of its mother's body as she sews in expectation of the infant arrival. I pictured her fingering the filigree of Limerick Lace and grasping the supple strength of Belfast Linen. Somehow this image, and the anticipatory life of the womb, became the affirmative force which inspired this piece. It has been over 20 years since I have had the opportunity to premiere a new piece with the RTÉ National Symphony Orchestra, so it is a particular honour to bring this new concerto for James Galway to life for the first time with this orchestra. I am grateful to RTÉ lyric fm for making this happen, and I am especially delighted that it will form part of the programme of the Limerick City of Culture 2014. ” The performance in the University Concert Hall, Limerick will be broadcast live on RTÉ lyric fm and webcast on as part of the Limerick’s City of Culture 2014 celebrations. Booking is now open for both concerts. Full details below: Tickets: €20, €28, €38, €45 (concessions €18, €25. 50 Booking (no fees): 01 417 0000 | | FRENCH CONNECTIONS Music by Percy French in new arrangements by Bill Whelan Wednesday 2nd April & Thursday 3rd April, 7. 30pm TICKET BOOKINGS Room: Kevin Barry Room Prices: €12 (concessions €10) Music by Percy French in New Arrangements by Bill Whelan Directed by Gerry Stembridge Cast Includes: Brenda Brooks, Emmet Cahill, Mark O’Regan, Kate Stanley Brennan A special showcase performance of the music of Percy French including the work of ten of Ireland’s most prominent writers. Songs include: MARCH 2014 The Mountains of Mourne Gortnamona Phil the Fluter’s Ball Are Ye Right There, Michael? Drumcolliher McBreen’s Heifer Come Back Paddy Reilly The Emigrant’s Letter Abdul Abulbul Amir Eileen Óg During his lifetime, Percy French achieved great fame both as songwriter and painter and his most famous songs - including The Mountains of Mourne, Gortnamona, Phil the Fluter’s Ball and Are Ye Right There, Michael? – are still known all over the world. Many of his songs gently satirised the world around him and it is tempting to wonder what Percy would make of Ireland and the world today. In bringing his music to a twenty-first century audience, ten internationally renowned Irish writers have been asked to respond to ten of French’s most famous songs. The writers include: John Butler, Paddy & Tom Cullivan, Barry Devlin, Declan Lynch, Pat McCabe, Belinda McKeon, Pauline McLynn, Paul Muldoon, Arthur Riordan, Gerry Stembridge. Composer Bill Whelan has created new arrangements for each of these songs and this performance gives audiences an exclusive first glimpse of this work in progress. This workshop is directed byGerry Stembridge. Presented by Barry Devlin, Brian Palfrey & Bill Whelan Sponsored by The Bailey Bar & Café VAYU FEBRUARY 2014 THE HANDPRINT COLLECTION Saturday 8th March, 3. 00pm Price: €10 Therese Fahy, piano Raymond Deane – Legerdemain Benjamin Dwyer – Étude Michael Holohan – The Forge Grainne Mulvey – Calorescence Bill Whelan – Waiting for Riad Siobhán Cleary – Leda and the Swan Handprint is an exciting recital programme by Irish pianist Therese Fahy, born of the realisation that much contemporary piano music seems to be composed for pianists with large hands. Therese has commissioned six major Irish composers to write new works for her, enriching the musical landscape by enhancing the piano repertoire with a highly innovative collection of piano pieces, the Handprint Collection, specifically designed for smaller hands - something which has never been done before. Presented by New Music Dublin Tickets available at JANUARY 2014 EXTRA DATE ADDED TO "RIVERDANCE" SOLD OUT RUN UL SPORT ARENA, UNIVERSITY OF LIMERICK 16th - 19th January 2014 More details here NOVEMBER 2013 RIVERDANCE - LIMERICK CITY OF CULTURE 16th-19th January 2014 To mark the 20th Anniversary of this incredible production, Riverdance comes to Limerick from 16th-19th January 2014! Of all the performances to emerge from ireland - in rock, music, theatre, film - nothing has carried the energy, the sensuality and the spectacle of Riverdance. 20 years ago in May 1994 Riverdance was first performed as the interval act in the eurovision Song Contest in Dublin before being developed into a full length stage show. With its fusion of Irish and International music and dance, the show broke all box office records during its world premiere run in Dublin in early 1995 and has since become a global phenomenon, being performed over 12, 000 times to a live audience in excess of 23 million and with three companies on tour at any one time. To mark the Anniversary of this incredible production, Riverdance comes to Limerick before embarking on its 20th Anniversary tour. It will be Limerick City of Culture’s inaugural flagship event and the homecoming for Limerick born composer, Bill Whelan. The production will take place from the 16th-19th January 2014 at the Sport Arena in the University of Limerick and tickets can be obtained from the University Concert Hall Box Office on 061 331 549. OCTOBER 2013 Irish Composer Bill Whelan in the MCC's Agora Series: 'Navigating A Music Career - No Map, No Route, No Destination' Date: Wednesday 27th November at 6. 30pm Venue: Boydell Room, House 5, Trinity College, Dublin 2 Tickets: Free and open to the public. If you wish to reserve a seat, email The Music Composition Centre is delighted to welcome acclaimed Irish composer and Trinity Music Department Adjunct Professor Bill Whelan to the Agora Series. This event will be a talk by the composer of approximately 20 mins to include one or two pieces of music (on CD) followed by a Q&A with Evangelia Rigaki and then a Q&A session with the audience. As a composer, Bill Whelan has written extensively for theatre, dance, film and the concert stage. His film work includes'Dancing at Lughnasa' starring Meryl Streep, 'Some Mother's Son' featuring Helen Mirren and 'Lamb' with Liam Neeson. Music for television includes The Seven Ages, Sean Ó Mordha's history of the Irish State. He was appointed composer to the W. B. Yeats International Theatre Festival at Dublin's Abbey Theatre in 1989, writing original music for 15 Yeats plays. His adaptation of HMS Pinafore received a Laurence Olivier Award nomination. The Seville Suite was commissioned for Ireland's National Day at Expo '92 and was performed at the Maestranza in Seville. It has since received performances around the world including La Coruna, Shanghai, Caracas and New York. The Spirit Of Mayo followed in 1993 and was performed by an 85-piece orchestra and chorus in Dublin's National Concert Hall. The Connemara Suite, a trilogy of pieces written for chamber orchestra, premiered in Carnegie Hall in March 2005. Bill Whelan'sSymphonic Suite from Riverdance has just received its first performance in 2013. He is currently writing a flute concerto for performance in 2014 with Sir James Galway and is completing the recording of an album of choral music. Bill's production and arranging credits include U2, Van Morrison, Kate Bush, Richard Harris, Planxty, The Dubliners and many traditional world musicians and performers. He was honoured with the 1997 Grammy Award for 'Best Musical Show Album' for the lyrics and music of Riverdance. The album is a certified Platinum record in the US, Ireland and Australia. Riverdance The Show has been seen live by more than 22 million people and by a television audience of nearly 2 billion. Bill is a member of the Boards of Berklee College of Music in Boston, The University of Limerick, Crash Ensemble and Music Generation, the newly established music education body for Ireland. He has completed a co-teaching course with Pulitzer Prize-winning poet, Paul Muldoon at Princeton University and was recently appointed adjunct Professor to Trinity College Dublin's School of Drama, Film and Music. Bill Whelan is a Fellow of the Royal College of Music and is the recipient of many International Awards including the Spirit of Ireland Award in New York. This public event in the Music Composition Centre’s Agora Series is presented in association with RTÉ Lyric FM. SEPTEMBER 2013 Kaleidoscope Camino - CLIFDEN ARTS WEEK Station House Theatre, Clifden Thursday, 26 September 2013, 8pm Tickets €10 from and 091-442730 The Kaleidoscope Camino, curated by musicians Clíodhna Ryan and Kate Ellis, continues this September and October after unforgettable recent performances to enthusiastic capacity audiences at Galway Arts Festival and Kilkenny Arts Festival. Catch up with the tour in Clifden, Cork and Waterford for a taste of this beautiful blend of music from ancient to contemporary and experimental — all presented in relaxed, intimate and beautiful settings. Our first stop is the Station House Theatre, Clifden (Thursday, 26 September), as part of Clifden Arts Week. A world premiere features prominently, with local composer Bill Whelan(best known for his work on Riverdance) teaming up with poet Micheal Coady to explore the magical Connemara landscape, performed by the soprano Deirdre Moynihan and a host of Ireland's finest string players. Continuing the literary theme, clarinettist Paul Roe performs a setting of Tim Burton's The Melancholy Death of the Oyster Boy as well as Tom Johnson'sBedtime Stories, while Moynihan performs John Cage's charming Experiences #2, a setting of an e. e. cummings poem. The programme also looks back to the seventeenth, eighteenth and nineteenth centuries, with music by Gabrielli, Biber and Beethoven, among others, performed by Anita Vedres (Baroque violin), Clíodhna Ryan (violin), Cian Ó Dúill (viola) and Aoife Nic Athlaoich (cello). AUGUST 2013 Kaleidoscope Camino — A night of music devised by violinist Cliodhna Ryan and cellist Kate Ellis ‘A life-saving, spirit-lifting, pioneering cultural venture’ –Irish Times. Anita Vedres (baroque violin) and Aoife NicAthlaoith (cello) Thomas Balthzar, Division on ‘John Come Kiss Me Now’ Domenico Gabrielli, Ricercar No. 7 for Solo Cello Heinrich Ignaz Franz Biber, Sonata No. 1 from the Mystery Sonatas Paul Roe (clarinet) and Nuala Hayes (voice) Tim Burton/Paul Roe, The Melancholy Death of Oyster Boy Tom Johnson, Bedtime Stories Deirdre Moynihan (soprano), Clíodhna Ryan (violin), Anita Vedres (violins), Cian Ó Dúill (viola), Aoife NicAthlaoich (cello) Jean Sibelius, Arioso Op. 3 John Cage, Experiences No. 2 (Text by ee cummings) Clíodhna Ryan (violin), Cian Ó Dúill (viola), Aoife NicAthlaoich (cello) Ludwig van Beethoven, String Trio in C Minor Op. 9 No. 3 Deirdre Moynihan (soprano), Clíodhna Ryan (violin), Anita Vedres (violin), Cian Ó Dúill (viola), Aoife NicAthlaoich (cello) Michael Coady/Bill Whelan, A State of Light (world premiere) Date 26/09/2013 Time 8:00pm Venue Station House Theatre Tickets €10 Mike Murphy interviews Bill Whelan This is a new and expanded Public Interview: Mike Murphy interviews renowned musician, composer, producer, arranger (Riverdance, the Seville Suite, the Connemara Suite) and neighbour Bill Whelan. Mike, 4 times Jacob Award winner for Live Mike.. 12 years as presenter of Arts Show on RT radio and recently presented Ireland’s Favourite Painting. (RTE TV) This public interview is being recorded by Arts on Air and will be broadcast at 6pm this evening on Connemara Community Radio on 87. 8 and 106. 1 fm or. Thanks to Mary Date 21 Sept Time 2:30pm Venue Station House Theatre Tickets €10 APRIL 2013 Top Irish Songwriters / Composers Paul Brady / Phil Coulter / Pete St. John / Ray Harman / Shay Healy / Jimmy MacCarthy To Be Inducted into the IMRO Academy Monday 29th April 2013: Tonight The Irish Music Rights Organisation (IMRO) will honour 6 songwriters and composers by inducting them into the IMRO Academy. Paul Brady, Phil Coulter, Pete St. John, Ray Harman, Shay Healy and Jimmy MacCarthy will have their contribution to Irish music acknowledged at a ceremony in Dublin’s Conrad Hotel. The IMRO Academy’s mission is to celebrate and mark the successes of Ireland’s iconic songwriters and composers who have made a very significant cultural and social impact in Ireland and/or internationally. Launched in 2011, Bill Whelan, best known as the composer of Riverdance and Brendan Graham, co-author of the hugely successful song, ‘You Raise Me Up’ became the first inductees to the Academy. Both have contributed enormously to the recognition of Ireland across the world through their extensive music repertoire Of the awards Keith Donald, IMRO Chairman, states, “Once again the IMRO Academy is honouring songwriters and composers who are at the forefront of Ireland's great tradition of creativity. It is a very important ingredient in fostering our reputation of being a dynamic and culturally rich nation. The IMRO Academy shines a light on these iconic music creators who continue to inspire, entertain and make sense of the world in which we live. “I am delighted to be part of this induction ceremony for some of Ireland's most successful and revered composers and I welcome this talented expansion of the IMRO Academy” added Bill Whelan. ''The songs and music of these six Irish songwriters have sailed far beyond the shores of Ireland. They have touched hearts, engaged emotions, and brought joy to people everywhere. Recorded by some of the greatest artistes of our times, they have been heard - and sung along to - by millions of people. They have climbed the pop charts, rocked stadia and brought Eurovision victory to Ireland. On our TV screens they have had us at the edge of our seats and they have become anthems helping us to win many a football and rugby match! They have also given us moments of reflection, of spiritual understanding, of insight into ourselves. By reaching into their own hearts these six, gifted crafters of song have touched our hearts. Ireland and the world are the richer for what they have given us and tonight we, their fellow songwriters, salute and honour their gift... and its gifting'' added Brendan Graham. The induction ceremony will coincide with the IMRO sponsored Independent Broadcasters of Ireland (IBI) annual conference dinner which takes place tonight, 29th April in the Conrad Hotel. Following the ceremony, all 6 will perform a selection of their iconic hit songs live. Works include: Paul Brady - (The Island, Nobody Knows) Phil Coulter – (Congratulations, The Town I Loved So Well, Ireland’s Call) Pete St. John – (Fields of Athenry, The Rare Ould Times) Ray Harman (Something Happens, Film and Television composition [Love/Hate]) Shay Healy – (What’s Another Year, At The Céilí) Jimmy MacCarthy – (Ride On, No Frontiers, Missing You) MARCH 2013 BILL WHELAN Berklee College Concert - April 11th 2013 FEBRUARY 2013 "PUBLISH AND PERISH! " Music and creativity at the gateway of Babylon. Talk by BILL WHELAN as part of the RDS Speaker Series 13th February, 2013 DOWNLOAD TALK (PDF) JANUARY 2013 Bill Whelan - Publish and Perish, Music and creativity at the gateway to Babylon RDS Speaker Series Wednesday, February 13th @ 6pm In a wide ranging talk, Bill Whelan will explore the influence that the internet has had on music creativity and particularly how audiences experience music since the recent technological revolution began. Admission: Free of charge and open to all. Advance booking is essential. Event Website: / DIGITAL BISCUIT - Friday 25th January This is a free public event with ticketed events, talks and open exhibitions throughout the Science Gallery. Cox to head up Limerick City of Culture in 2014 LIMERICK LEADER - 08. 01. 13 Pat Cox, Paul O'Connell & Bill Whelan to join governing group to drive Limerick City of Culture 2014 By Alan Owens Published on Monday 7 January 2013 13:20 Pat Cox and Bill Whelan at the announcement of the group to chair Limerick City of Culture in 2014. Picture: Sean Curtin FORMER European Parliament president and Freeman of Limerick Pat Cox is to chair the governing group that will drive the Limerick City of Culture initiative for 2014. Mr Cox has gladly accepted the invitation to chair the group and was unveiled in the city this Monday morning, where it was also revealed that Munster and Irish rugby legend Paul O’Connell and Riverdance composer Bill Whelan - both Freemen of the city - will join him on the governing body. City manager Conn Murray personally selected the trio to manage the programme for 2014, declaring that they were “chosen to represent the areas within which they have excelled nationally and internationally that symbolise a broad approach to the understanding of culture, not just of Limerick, but of Ireland”. A draft programme of events for the year long City of Culture initiative is expected to be announced this June, with a definite programme in place by late Autumn, Mr Cox explained. The former TD and MEP said he was “delighted and honoured” to chair the 2014 Limerick National City of Culture group. “The aim of the National City of Culture initiative is to deliver a programme of cultural events and engagement in Limerick for 2014, but also a programme which has a longer term positive impact, ” he explained. “The designation is also an opportunity to showcase what we know to be the real Limerick in terms of its personality. Such a designation by Government for the city is historic, it will provide a new direction for Limerick more than 800 years after its original charter to embody the potential of a city of culture encompassing Art, Design, Technology and Sport in all their myriad interacting and creative forms. “The delivery of a National City of Culture within a year planning window is demanding but achievable. Part of my role as chair will be to listen to the wider community and develop from the ground up a programme of international significance for Limerick, for Munster and for Ireland. ” Mr. Cox also confirmed that the Director of the Arts Council, Orlaith McBride, has also accepted a position on the driving group. A large number of people working in the arts community in Limerick - and other areas of business - will be appointed to the governing group to advise the trio and the programme of events for 2014. For more on this story see tomorrow’s Limerick Chronicle newspaper, and our weekend editions. DECEMBER 2012 LIMERICK ON RECORD CD launch In Aid of Milford Hospice ‘Trojan effort’ to get Limerick On Record LIMERICK LEADER Published on Monday 3 December 2012 06:06 On record: Paddy and Geraldine Brennan with Mayor of Limerick Cllr Gerry McLoughlin and Bill Whelan at the launch and, below, The John Steele Band performing at the launch in Thomond Park. Pictures: Dave Gaynor RIVERDANCE composer Bill Whelan has hailed the endeavour in assembling a compilation of Limerick music as “an extraordinary achievement”. Limerick On Record, a stunning compilation that features the best of Limerick music from a 50-odd year period, painstakingly assembled by Corbally man Paddy Brennan, is a limited edition collection that aims to raise €20, 000 for Milford Hospice. The 62-track collection spans from 1965 right up to the present day and contains Whelan’s Riverdance, Richard Harris’ MacArthur Park, Grannies Intentions’ Sandy’s On The Phone, The Cranberries’ Dreams, Reform’s You Gotta Get Up and more from Limerick’s musical history. “It is a stunning collection, an extraordinary project, ” said Bill Whelan, speaking to the Limerick Leader at the launch in Thomond Park last Wednesday night, attended by many of the greats assembled on this definitive collection. “I know myself because I have been involved in trying to clear music for use. What has happened here has just been unbelievable. The job of putting this together has been absolutely Trojan and it is an extraordinary achievement, ” he explained. The three CD collection is the result of over two years work by Corbally man Paddy and his wife Geraldine, with all of the artists and record companies - eventually - donating the use of their tracks in aid of Milford. “When I got permission from the Limerick artists I had to contact all the record companies then. Lots of the recordings were not owned by the artists, rather the companies, licensing companies, ” explained Paddy. “It wasn’t easy because lots of them had been dissolved, taken over, amalgamated - it was a maze. I persisted and searched out the copyright - and got a lot of help from Jim Liddane, of the International Songwriters Association, a friend of mine all my life. ” Just 1000 copies of the album are available for sale, making it already a rarity. Places stocking Limerick On Record include: Savins, O’Mahony’s, Euro Empire, Milford and UCH. NOVEMBER 2012 Zoë Conway and John McIntyre new album launch. Go Mairir i bhFad – Long Life to You Whelan's, Monday 26th @ 8pm The stunning new album by Zoë Conway and John McIntyre will be launched tonight in Whelan's at 8pm. Their first album as a duo has already received excellent reviews, with the Irish Times 5 Star review saying "Conway and McIntyre are taking those same instruments (fiddle & guitar) around a series of hairpin bends, they’re acquainting us with a patchwork quilt woven from traditional, classical, jazz and Latin influences. " While The Journal of Music tells readers "this is an artistically powerful album, and includes many superb pieces of music that will undoubtedly live on long beyond this project. " Full album reviews SEPTEMBER 2012 AN EVENING WITH BILL WHELAN & FRIENDSCLIFDEN ARTS FESTIVAL September 28th, 2012 Bill Whelan will be performing at the Station House Theatre on Friday 28th September as part of the 35th Clifden Arts Festival. An Evening with Bill Whelan and friends will feature some of Ireland's most talented and exciting performers. Joining Bill on the night will be, Zoë Conway on fiddle, John McIntyre on guitar, Robbie Harris playing bodhrán, uilleann piper Declan Masterson, dancer Mick Donegan and members of the Crash Ensemble Orchestra. Bill will be at the piano, playing some songs written over the years while also introducing his orchestral pieces. All in the intimate setting of the Station House Theatre. For more information please go to or to book tickets please go to or call 091-442730 or email JUNE 2012 MUSIC GENERATION RADIO DOCUMENTARY Lyric FM, Friday 29th June @ 7pm RIVERDANCE - FINAL US PERFORMANCES THIS WEEKEND Wolftrap, Filene Center, Vienna, VA June 15, 16 & 17 They conquered North America in hard-soled shoes, short black skirts or slim black pants, this troupe of Irish dancers and musicians. Sweeping the continent by storm with jigs, reels and hornpipes, “Riverdance” grew into a millions-served phenomenon, resuscitating an interest in Irish culture and big, flashy arena-style shows showcasing dance and music. In its wake, it has left millions dazzled by heartbeat-quickening, Irish step-dance rhythms performed with the precision of a military drill team. It started as a bit of a lark: In 1994, the producers of Eurovision Song Contest needed a seven-minute filler to bide time while judges deliberated. A composer, choreographer and producer came up with “Riverdance, ” a music-and-dance number. It combined the pinpoint accuracy of a Radio City Music Hall Rockettes line with the heartfelt ballads and spritely jigs of Irish folk music, featuring Bill Whelan’s compositions. Continue reading MAY 2012 IRISH TIMES review of The Music of Bill Whelan at NCH, Thursday 17th May. Today with Pat Kenny RTÉ CO musicians, Bill Whelan & David Brophy rehearsing yesterday for a song they are doing with Eleanor McEvoy on Wednesday's Today with Pat Kenny, RTÉ Radio 1. Win Tickets To Riverdance Symphonic Performance Win Tickets to see the World Premiere of Riverdance Symphonic Performance with the RTE Concert Orchestra LYRIC FM THIS WEEK - MARTY IN THE MORNING Bill Whelan is joining Marty Whelan each day this week at 9. 40am for conversation and favourite music selections. Listen here on Riverdance: The Music of Bill Whelan Featuring the WORLD PREMIERE of the RIVERDANCE SYMPHONIC SUITE David Brophy conductor Thursday 17 May, 8pm National Concert Hall With guests Bill Whelan, fiddle player Zoë Conway, accordionist Máirtín O’Connor, vocalist Eleanor McEvoy, uilleann piper Maitiú Ó Casaide, dancers Yolanda Gonzalez Sobrado and Mick Donegan, Crash Ensemble and UCD Choral Scholars Programme includes the world premiere of the Symphonic Suite from Riverdance, Caracena from The Seville Suite, The Currach and Evening Céilí from Inishlacken, An Chistin from Carna, Jazzical Cyclebike, Seabird, Flying Blind, Lift the Wings, Shivnaand The Heart’s Cry Following the sell-out success of A Celebration of Bill Whelan in 2010, the RTÉ Concert Orchestra returns with what is sure to be another spectacular collaboration with Grammy Award-winning composer Bill Whelan. The RTÉ CO gave the electrifying first performance of Riverdance as the interval act in the 1994 Eurovision and went on to record the phenomenally successful CD of the entire show. Now, as part of a wide-ranging programme of his music, the orchestra has the honour of giving the world premiere of Bill’s Symphonic Suite from Riverdance. This promises to be not only a highlight of the evening’s celebration but a highlight of Irish musical life this year. Bill Whelan writes: ‘The idea for a Riverdance Symphonic Suite has been on my radar for some time. Over the years I have often had requests from foreign orchestras for a full-length concert piece containing the music from the show. As my original score incorporated traditional instruments, it was not always easy to assemble the various ethnic elements for a concert in say, Japan. So what I have done with this new score is to present all the themes fromRiverdance in a way that is playable by a full symphony orchestra anywhere in the world, without the traditional musicians. There were two principal challenges - the first was to arrange the themes and melodies as a colourful and dynamic concert piece. The second was to choose the instruments from within the orchestra to appropriately replace the original ethnic instruments and voices. As this will be its first performance, I look forward with anticipation as this augmented RTÉ CO under David Brophy brings the work of the last few years to life. ’ Tickets: €11-€38 (conc. €10-€35) 10% group discount available Booking: 01 417 0000 or For further information please contact Angela Rohan, PR Executive, RTÉ Concert Orchestra Tel: 01 208 2493 | Mobile: 087 617 2531 | Email: APRIL 2012 Guarding copyright on the Internet Bill Whelan letter to the Irish Times 26. 04. 12 NEWSTALK 106-108fm Bill Whelan joined Chris Donohue and Shane Coleman in studio on their Newstalk Breakfast Show. If you missed their wide ranging interview check out their Media Player (Archive, Breakfast - Part 4 of Thursday 26th April) WORLD PREMIERE OF BILL WHELAN'S RIVERDANCE SYMPHONIC SUITE National Concert Hall, Thursday 17th May, 8pm The Music Of Bill Whelan. Following the sell out success of A Celebration of Bill Whelan in 2010, the RTÉ Concert Orchestra return with what is sure to be another spectacular collaboration with the Grammy Award-winning composer Bill Whelan. Presenting a wide range of his music, the RTÉ Concert Orchestra will also perform the world premiere of Bill Whelan’s Symphonic Suite from Riverdance. Presented by the RTÉ Concert Orchestra and conducted by David Brophy. Prices: €38, €33, €27, €22, €11 (Choir Balcony) Concessions: €35, €30, €25, €20, €10 (Choir Balcony) 10% Discount for Groups of 10 or more Bookings at MARCH 2012 Riverdance set for first performance in Limerick THE UNIVERSITY of Limerick is hoping to raise tens of thousands of euro this May after scooping Riverdance to entertain guests at their annual gala dinner in May. The Irish dance phenomenon will give their first performance in Limerick at the UL president's gala dinner in the Strand Hotel on May 11. Guest of honour at the event will be renowned composer and producer, Dr Bill Whelan, a native of Limerick, who composed the music for the internationally famed Riverdance show and who is a director of the UL Foundation. "It has always been an ambition of mine to bring Riverdance to my home City of Limerick, so it gives me great pleasure to finally see this dream come true. To be able to do so in a way which helps raise funds for the university's charitable activities makes it all the more pleasurable, " said Dr Whelan. Tickets for the event are priced at €180 per person, and tickets will be served on a first come basis as the capacity may be limited to some 200 people. Riverdance's Irish tour this year includes concerts in Dublin only at present. The president's dinner is an annual fundraising event which supports a different project each year. This year's event is a celebration of UL's ties with the city and will raise funds for expansion of the president's volunteer award programme which is run by the university. The programme was established two years ago to support the contribution that students at UL make to volunteering activities outside of their academic studies. For queries about tickets for the event, please contact Sarah Hartnett, UL Foundation on 061-234240 or FEBRUARY 2012 The Rolling Wave - Our Musical Heritage, RTE Radio 1 RTE Radio 1 is rebroadcasting a historic 1963 radio series "Our Musical Heritage" by Sean O Riada. Episode 13, broadcast on 26th February, explores traditional dance music as played on the accordion and concertina with a contemporary view from composer and musician Bill Whelan. To Listen Back go to; NOVEMBER 2011 ALEXEJ GORLATCH REVIEW Irish Times, 29th November 2011 by Andrew Johnstone ALEXEJ GORLATCH PERFORMS IN DUBLIN AT MUSIC NETWORK END OF YEAR GALA CONCERT Saturday 3rd December @ 8pm George's Hall, Dublin Castle "This remarkably talented pianist... played with finesse and maturity. " The New York Times "Awe-inspiringly confident and assured... with a perfection which apparently effortlessly sets him apart from everyone else... Alexej Gorlatch is one of those players who can take you into areas that others just can't reach. " Michael Dervan, Irish Times By any standards, the young Ukrainian pianist Alexej Gorlatch is something of a phenomenon. Entering the University of Arts in Berlin at the age of twelve, within a decade he had a trophy cabinet jam-packed with awards, including First Prize at the prestigious Hamamatsu International Piano Competition in Japan, First Prize at the Dublin International Piano competition and Silver Medal at the Leeds Piano competition, in a performance described by The Guardian as 'immaculate in its poetry and aggression'. A prize-winning technique is one thing, but Gorlatch has poise, power and passion in equal measure, entrancing audiences from Carnegie Hall to the Salle Cortot in Paris with his relaxed stage manner, singing lines and soulful performances. Add to this an exceptional repertoire spanning everything from Mozart to Britten, and you have the all the ingredients of a terrific solo concert. Prepare to be spellbound! Programme* Beethoven Sonata op. 2 no. 1 in F minor Chopin Polonaise-Fantasie op. 61 Bill Whelan The Currach Brahms 4 Ballades op. 10 Chopin Mazurkas op. 68 no. s 1 & 2 Chopin Scherzo op. 31 in B flat minor UCD FOUNDATION DAY MEDAL FOR GRAMMY AWARD WINNER, BILL WHELAN Bill Whelan, best known for composing the original seven minute orchestral piece for Riverdance was awarded the UCD Foundation Day Medal in recognition of his outstanding achievements and his contribution to Irish music worldwide. Each year the UCD Foundation Day Medal is awarded to a UCD graduate who demonstrates great achievement. At the event held in O'Reilly Hall in Belfield, Bill gave a special performance along side the UCD Ad Astra Scholars, UCD Choral Scholars and UCD Orchestral Scholars. Noel Pearson was there to give the evening's Citation and Minister for Education, Ruairi Quinn TD gave the keynote speech. To view a video clip of the evening and for more details please visit SEPTEMBER 2011 Bill Whelan receives the Spirit Of Ireland Award in New York The Irish Arts Centre based in New York honored Bill Whelan on Friday 14th October. Watch his acceptance speech here. SUNDAY MISCELLANY 23rd October 2011 If you missed today's mix of music and musings featuring Bill Whelan, Zoe Conway and Morgan Crowley please go to the RTE Radio 1 Radio Player to Listen Back to the broadcast: SUNDAY MISCELLANY's visit to Clifden Arts Week is broadcast this Sunday, 23rd October, 2011. Featuring Bill Whelan, Zoe Conway and Morgan Crowley Sunday Miscellany is one of Irish radio's longest running shows presenting a weekly selection of new short writing read on the air by it's authors and interspersed with complementing music and occasional songs. In recent years it has introduced new innovations to its radio experience that have proved very popular with its growing fan base at home and internationally. One has been its live events for audiences, and frequently produced in association with particular venues and cultural festivals. Recently, on 23 September 2011 the programme presented a live audience event in The Station House Theatre in the town as part of Clifden Arts Week 2011. The event, hosted by the programme's producer Clíodhna Ní Anluain was very well received by the audience who lapped up the selection of new short essays and poetry, as well as the wonderful music and song. The selection of voices included Gerard Smyth, Siobhan Mannion, Denise Blake, Geraldine Mills and Bill Whelan. Bill, who made his debut on the programme with a short piece of writing called 'The Cresent Church', humorously and affectionately recalled characters and experiences of the church in Limerick city he attended as a boy. Cliodhna Ní Anluain was delighted to introduce particularly special contribution to this Sunday Miscellany from Clifden. This was the first performance of a brand new music composition by Bill Whelan for Derek Mahon's marvellous poem - 'After TheTitanic'. As Bill in his introduction to the performance said '... this is a poem that Derek Mahon wrote about Bruce Ismay who was a rather senior person in the Cunard Line when the Titanic went down. He was on board the ship and he survived. In the enquiry that happened afterwards he wasn't exactly showered with laurel wreaths or heroism. The story has it that he eventually moved to Connemara and lived on his own with his guilt. Whether exactly true or not - there has been some recent re-writing of the story - I just love this poem because it's a tremendous imagined condition of the human mind faced with this cataclysmic experiences and then the guilt that flows from it. So this is brand new - I wrote it this week'. For this contribution to Sunday Miscellany Bill Whelan on piano was accompanied on violin by Zoe Conway and Morgan Crowley sang Derek Mahon's words to Bill new composition. The edition of Sunday Miscellany will be broadcast on RTÉ Radio 1on Sunday morning 23 October 2011 at 9. 30am. See: Liam Neeson and Gabriel Byrne present Irish Arts Center Award to Bill Whelan Grammy award-winner and Riverdance composer Bill Whelan and philanthropist Dolores McCall were Friday night's guests of honor at the Irish Arts Center's 12th annual Spirit of Ireland gala at the New York Athletic Club. Read more: An Evening with Bill Whelan and Orchestra Featuring Athena Tergis and Special Guest Mick Donegan with a Nine-Piece Orchestra and Special Guests Live Concert Performances October 29 - November 1 | 7:30 pm In an encore presentation of one of our most exhilarating concert series, Grammy-winning Riverdance composer Bill Whelan and world-renowned fiddler Athena Tergis return for four unforgettable performances with a nine-piece orchestra and surprise special guests. Lucky audiences experienced this musical partnership when it first took flight in last season's Masters in Collaboration series. We are thrilled to welcome Bill and Athena and an extraordinary ensemble back to the Donaghy Theatre to electrify us once again. Please contact for tickets Admission: $60 general / $50 members If you need assistance placing your order, call 866-811-4111. This performance is certain to sell out quickly, so we encourage you to book early. MIC6 + Bill Whelan & Athena Tergis Combo A Special Treat for Music Lovers: save over 20% on both MIC6 and Bill Whelan and Athena Tergis in Concert when you book together. Great new things grow from our individual Masters in Collaboration series - from the Paul Brady/Sarah Siskind European tour that evolved following their Masters performance at IAC in 2008, to the Bill Whelan and Athena Tergis orchestral tour and triumphant return to the Donaghy stage this fall. We have a great deal for music lovers who won't want to miss our newest collaboration between Iarla Ó Lionáird and Ivan Goff, and experience Bill Whelan and Athena Tergis' inspiring concert with a 9-piece orchestra. $75 gets you a ticket to both shows (reg $95 combined). Click here to purchase this combo deal. A preview of Bill Whelan and Athena Tergis from their time as artists-in-residence at Masters in Collaboration IV. RIVERDANCE TURNS 25!.... [more] Sunday Times - Bill Whelan: Irish rebel’s story kick-started my Riverdance Score.... [more] December 2019 LIFT THE WINGS No1 in China!.... [more] BILL WHELAN’S RIVERDANCE 25TH ANNIVERSARY MUSIC FROM THE SHOW.... [more] Bill Whelan Presents: Featuring Emily Flack and Séamus Flaherty.... [more] SUMMER TRAD with ZOE CONWAY and JOHN McINTYRE.... [more] BILL WHELAN LYRIC FM ORCHESTRAL ALBUM.... [more] International Dublin Choral Festival – St Patrick’s Cathedral.... [more] BILL WHELAN - RIVERDANCE: A SYMPHONIC SUITE, LINEN & LACE, INISHLACKEN.... [more] January 2018 DOLORES O’RIORDAN - a message of tribute and condolence.... [more] Belltable Theatre... [more] Premiere screening at 29th Galway Film Fleadh... [more] Rough Magic Theatre Co’s musical The Train premiered in Ireland in 2015 with successful seasons in Limerick and at Dublin Theatre Festival. This April it has returned to perform on the main stage of the Abbey Theatre and The MAC Belfast... [more] Ennio Morricone, Bill Whelan and Pedro Almodóvar Want Fair Play from YouTube... [more] ASHLAND POPS (OR) JULY 4.. [more] FASTNET FILM FESTIVAL.. [more].


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